One day she received a letter from Folk. He had come to London at the request of the French Government to consult with English artists on a matter he must not mention. He would not have the time, he told her, to run down to Liverpool. Could she get a couple of days’ leave and dine with him in London. He was sitting on the front seat, facing her. “I’m glad I went,” he said with sudden vehemence. “I loved watching you, moving about among all those people. I never knew before how beautiful you are.”!

She must have walked mechanically. Looking up she found herself in her own street. And as she reached her doorway the tears came suddenly. “You think of God as of a great King,” he said, “a Ruler who orders all things: who could change all things in the twinkling of an eye. You see the cruelty and the wrong around you. And you say to yourselves: ‘He has ordered it. If He would, He could have willed it differently.’ So that in your hearts you are angry with Him. How could it be otherwise? What father, loving his children, would see them suffer wrong, when by stretching out a hand he could protect them: turn their tears to gladness? What father would see his children doing evil to one another and not check them: would see them following ways leading to their destruction, and not pluck them back? If God has ordered all things, why has He created evil, making His creatures weak and sinful? Does a father lay snares for his children: leading them into temptation: delivering them unto evil?”

Suddenly the vision of old Chelsea Church rose up before her with its little motherly old pew-opener. She had so often been meaning to go and see her again, but something had always interfered. She hunted through her drawers and found a comparatively sober-coloured shawl, and tucked it under her cloak. The service was just commencing when she reached the church. Mary Stopperton showed her into a seat and evidently remembered her. “I want to see you afterwards,” she whispered; and Mary Stopperton had smiled and nodded. The service, with its need for being continually upon the move, bored her; she was not in the mood for it. And the sermon, preached by a young curate who had not yet got over his Oxford drawl, was uninteresting. She had half hoped that the wheezy old clergyman, who had preached about Calvary on the evening she had first visited the church, would be there again. She wondered what had become of him, and if it were really a fact that she had known him when she was a child, or only her fancy. It was strange how vividly her memory of him seemed to pervade the little church. She had the feeling he was watching her from the shadows. She waited for Mary in the vestibule, and gave her the shawl, making her swear on the big key of the church door that she would wear it herself and not give it away. The little old pew-opener’s pink and white face flushed with delight as she took it, and the thin, work-worn hands fingered it admiringly. “But I may lend it?” she pleaded. They remained for a while with their arms round one another. It struck Joan as curious, even at the time, that all feeling of superiority had gone out of her. They might have been two puzzled children that had met one another on a path that neither knew. But Joan was the stronger character. “You’ve got to face this unalterable law,” he continued. “That power derived from worldly sources can only be employed for worldly purposes. The power conferred by popularity, by wealth, by that ability to make use of other men that we term organization—sooner or later the man who wields that power becomes the Devil’s servant. So long as Kingship was merely a force struggling against anarchy, it was a holy weapon. As it grew in power so it degenerated into an instrument of tyranny. The Church, so long as it remained a scattered body of meek, lowly men, did the Lord’s work. Enthroned at Rome, it thundered its edicts against human thought. The Press is in danger of following precisely the same history. When it wrote in fear of the pillory and of the jail, it fought for Liberty. Now it has become the Fourth Estate, it fawns—as Jack Swinton said of it—at the feet of Mammon. My Proprietor, good fellow, allows me to cultivate my plot amid the wilderness for other purposes than those of quick returns. If he were to become a competitor with the Carletons and the Bloomfields, he would have to look upon it as a business proposition. The Devil would take him up on to the high mountain, and point out to him the kingdom of huge circulations and vast profits, whispering to him: ‘All this will I give thee, if thou wilt fall down and worship me.’ I don’t want the dear good fellow to be tempted.”